山巒身上的衣隅
Clothes from the Mountain

感慨傳統繡工技法的消逝，將傳統一字繡紋放大百倍，將文獻傳統服照片上一字繡紋經數位手法觀察並試圖將圖紋繡譜記錄保存，傳統繡工是將織布完後的素面布料，再將染色線段加工賦予刺繡工藝圖紋，祖先觀察自然萬物將風景事物透過刺繡將其圖像化，如文字一般紀錄在布面上，並給予象徵意義及祝福，但隨著長者逐漸離去且傳承者甚少，加上工業時代的衝擊，刺繡工藝技法漸漸消逝，人們不再在意傳統服上手工繡紋內涵的心思意念。傳統刺繡工藝中每一步的繡路都會成為繡者寄託感動、呵護、念想與祝福，讓無形的言語成為衣著傳達給披覆者；將傳統繡紋放大並且以一字繡的方式呈現，猶如這塊土地披覆的衣賞，像是文獻照片上需用放大鏡才能慢慢琢磨的圖紋，在此展示讓人學習繡路與繡譜並表現傳統刺繡工藝之美。

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Lamenting the disappearance of traditional embroidery techniques, the artist magnified a hundred times the traditional embroidery patterns based on the archived documentation photos to record and preserve them.

Traditional embroidery is made of woven plain cloth and then using the dyed threads to create pattern. Ancestors observed all natural things and visualized them through embroidery, like words recorded on canvas, symbolizing blessings, but as the elders gradually passed on. There are few inheritors, coupled with the impact of industrialization. The embroidery technique has gradually disappeared, and people no longer care about the connotation of hand embroidery on traditional clothes. Each step of the embroidery path in traditional embroidery encompasses the embroiderer's sustenance, touch, care, thoughts, and blessings so that the invisible words become clothing and convey to a wearer. The traditional embroidery pattern is enlarged and presented, just like the clothing covered by this land, like the pattern on the documentation photo that needs to be slowly refined with a magnifying glass. Here it shows the beauty of traditional embroidery craftsmanship that allows people to learn.

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｜臺灣原住民文化園區 常態藝術裝置｜

展出地點：臺灣原住民文化園區

主辦單位：原住民族委員會原住民族文化發展中心